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Farrell 6, San Francisco 6, Us 3, United States 2, City 2, The City 2, Chiu 2, First City 1, Mario 1, Powerpoint 1, Reminding Me 1, Imr City 1, The Board 1, Acknowledgin Acknowledgingt 1, California 1, Allegra 1, Mort Rafael 1, Moreton Rafael 1, Ms. Alisa Miller 1, David Chiu 1,
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  SFGTV    [untitled]  

    October 11, 2012
    2:30 - 3:00pm PDT  

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congratulations to them and to all of those of you wearing orange and black in the chambers. i want to thank the members of sfgov tv who are working on this committee meeting. and the clerk, ms. alisa miller. i am joined by board president david chiu and we will be joined by committee vice chair sean elsbernd. do we have any communications? >> please make sure silence all cell phones and electronic diveess, any document documentse submitted to the clerk. >> supervisor chiu: i just want to thank the patience and
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indulgence of the chair as well as members of the public. we were not watching the celebration of the giants. there was a signing ceremony today for our u. s. transportation secretary announcing a grant to the subway project planned a few weeks ago and we had some miscues but we're ready to go. >> president farrell: clarification, i was watching the giants. madam clerk, please call items 2 and 3 together. >> item 2 is a hearing and item 3 is a resolution. >> president farrell: thank you very much. and from the mayor's office, if you want to come forward. >> hello. my name is leo chee, budget officer with the mayor.
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thank you for having this hearing and thanks to the service for the grand jury for your report on the arts commission. on behalf of the mayor's office, i really want to acknowledge that the arts commission has had challenges in the past as we've seen in the controller's audit in the past, but i also want to say that i'm very excited that under the leadership of the new director of cultural affairs, tom -- i think we have made a lot of progress at the arts commission moving forward on the better systems, and management that we want to see at the arts commission. so i do really want to recognize that in the report there is a number of findings and recommendations, and i'm excited that the department has begun making progress on a large number of them. in terms of the mayor's office response, our response is due on october 24, like the board we have some additional days but i do have prepared the draft for the mayor's office. so if you do have questions, i'm
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happy to answer what i expect that the mayor's office will have as responses to our findings and recommendations that require our response. with that, i just want to also recognize that there are significant number of departments here. i believe there are about 10 didn't. i don't know if they've been able to stay, but they're also here and available to -- in addition -- in responses that you have in your file they're available to answer questions. so i'm going to go ahead and hand this off to tom biew canny from the arts commission who will give you -- the mayor's office responses are similar to the arts commission responses. we agree on most of the items that -- we have the same responses in most cases. >> do you have any questions? can i ask for the civil grand
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jury i want to give they will opportunity to present first, if that makes sense. if there's a member of the civil grand jury, i should have done that to begin with. >> actually, that's very helpful. we appreciate the mayor's office for providing a short and sweet response. just wanted, for the record, to indicate me name is mario choy, the foreperson pro tem of the 2011-12 civil grand jury. hank you for hearing this report where there's smoke there's need to strengthen the -- of san francisco's cultural legacy. before i turn the podium over to my colleagues who will present the report about governance issues, and whatnot, i wanted to clear up some misunderstandings about the comp position and work of the civil grand jury, some of which came out during the last
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meeting of the government audit and oversight committees. i know the supervisors here probably know how the jury works and what it encompasses so i ask for your indulgence given the fact that those who are watching do not. the california constitution state law requires a grand jury to serve from july 1 to july 30 of the following year. in san francisco the presiding judge of the superior court empanels two grand jury, one that's the indictment grand jury and we the civil grand jury report on matters of concern. the citizen watchdog of county government, the civil authority has authority to investigate and viewt niez the conduct of business of county government as well as the operations of various offices and agencies.
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the 19 of us, all citizens of san francisco, determine which officers, departments, and agencies the jury will investigate during its one year term of office. so during this year, we were required to make at least one report of our findings and recommendations for improvement. during these investigations jury has authority to inspect and audit the books and subpoena if required civil servants who have pertinent information. during the course of the year it's not unheard of for a grand jury to put in over 500 hours of his or her time into the work of the grand jury. so in order for a report to become public, a minimum of 12 members of the 19 member grand jury must approve to publish the report. the report is reviewed by the presiding judge of the superior court before dissemination.
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departments have 60 days to respond while the board of supervisors has 90 and the reason why we're here today. so with that i am going to turn the modeium over to moreton rafael the chair of the investigating committee that drafted and published this report and he will be assisted by members of the investigative committee including mark, allegra, and jean. >> president farrell: i want to thank you for your hard work and for ever member of the civil grand jury we know how much time and effort you spend on what you do. it's contractuall critically imr city. thank you on behalf of the board of supervisors and everyone in san francisco. thank you for your hard work. >> thank you. >> chairman farrell, president
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chiu, my name is mort rafael, and i serve as the chair of the committee that actually did the leg work to bring together the information that we will present today. i must confess, however, that due to the reason that perhaps supervisor farrell was late, i too was watching the ballgame, and an awful lot of energy has been expended on certain plays that happened that were absolutely draining. so please forgive me if my brain does not function as clearly as it should. but i'll try to at least present some of the highlights of our report, that will provide you with at least our view of what's going on. and i was particularly struck with the comment that the representative of the mayor made that progress is indeed being made in the transformation of
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the civil -- san francisco arts commission. we too recognize that there has been changes but indeed we find those changes at the moment to be very insufficient and we will characterize why as part of our report. and i was cheering a lot so if you pardon me, i'll just... at the outset, i think it's important to at least acknowledge that arts in san francisco play a very significant role in the way in which the community responds to the way -- to the activities of being a citizen here. i must say that we have spent more money than almost any city, on a per cap ta basis, we have calculated we are most per
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capita spend city in the united states. that's point one which will reflect the fact we are a community supporting arts. we have introduced, as the first city in the united states, neighborhood cultural centers, as a reflection of not only dealing with art, but making sure that art is focused in the neighborhoods. we really want our community to have the opportunity to participate, to deal with, and actually to become involved with art development. recently the city has found its way to make sure that at least 2% of every new construction in city buildings is preserved for art. and this is kind of an extraordinary thing for a city of our size to do. as a result, we have a wide array of lots of cultural and artistic venues for people to take advantage of. >> i wanted to let sfgtv, we
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have a powerpoint. >> yes, we do. but i'm not quite ready to use it yet but i will hit that button in just a moment. thank you for reminding me. the reputation and promise of the arts commission has been tarnished recently. and i think by looking at our report and reading it, you get a clear indication of how what was to be an extraordinary part of our art community has found itself faced with a variety of challenges and criticism. and as such, those criticisms and negative responses need to be addressed by the community. and the civil grand jury has a particular point of view, and that is a citizen's point of view. we have no axe to grind. we don't represent any government agency that is in the city. we're not representing people
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who are providing the services of art in the city. we just are looking at this as citizens. and as such, we have gone to the extent of reviewing all of the criticisms that have been made, and we spent a year learning and evaluating, and actually preparing recommendations that the rest of our committee has agreed to adopt. we are under the supervision of the superior court, and as such, we find that we take this responsibility very seriously. it's important to point out, as was hinted, and mario's introduction of the grand jury that no single juror can go out and have an interview with anybody that is part of an investigation. there have to be at least two of us, so that we can bring together an honest, clear,
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verified record of a conversation. we also must triangulate our findings so that at least two sources have been made known to us, that say what our findings are. and that we will go to the trouble of verifying each of these findings with the people who provided the information. so we reinterview an awful lot of folks who provided this information. i'm not going to repeat all of the various criticisms that have come before you in the -- our report concerning the arts commission. but i think it's important for you to sort of learn by yourself, by looking at our report as to who they are. it's a fairly broad section. some of it comes from the public in the form of newspaper articles, some of it comes in the form of government audits
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and sunshine task force. and it's important that you appreciate the fact that these bodies have found faults with the art commission's performance that have not been approached to change dramatically by the arts commission itself for the future. and i say this because the commission itself is governed in a way that i will speak to in more detail later. but it's governed in a way that sometimes does not account for public interest as much as it accounts for the interest of the arts community. and i think that that's a major issue that needs to be address addressed. we interviewed more than 30 people, some of them several times, to clarify and verify what we learned. the interviews covered the gamut. we talked to members of the arts commission, both past and present. we talked to members of the staff. we talked to a number of city
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department leaders, and their staff. we talked to a number of grantees of the arts commission, street artists, a nonprofit executives, journalists, we reviewed the city charter, the police code, ordinances, the commission's bylaws, their minutes, budgets, website, publications, orientation package for new commissioners, artists, sunshine materials, just to give you an idea that we really took this thing very seriously, and went to a lot of effort to sort of gain a clear understanding of what the arts commission's situation is about. in recent times, the president of the arts commission resigned, and was replaced by the mayor. the director of cultural affairs resigned and was replaced. the deputy director position was reinstated and was refilled. two other commissioners were
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replaced by the mayor. and that's a lot of smoke. and so therefore we undertook our investigation. and now i'm going to turn to my powerpoint projection, if i can figure out how... thank you. the most important preliminary issue to be addressed is the governance of the arts commission. as you appreciate -- i think each of you have had lots of experience with organizational structure and behavior. but i think you understand that organizations tend to follow its leadership. and even though there may be a strong expecter, the governing body presents a lot of overview for the executive to follow. and the body that is made up of the arts commission really sets its tone, sets its direction,
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and sets the way in which the staff carries out its responsibilities. the arts commission was born in the 1932 charter. and i must admit, so was i. so i can -- i was just sort of acknowledging the fact that the arts commission charter and i were born in the same year. it doesn't give me any insight into fact, but it gives me an awful lot of insight into the changes taking place since those 830 years. >> president farrell: i would say you look better than the arts commission, according to you guys. >> thank you, sir. the 32 charter requires that the commission itself is made up of 15 people. and it does have an ex-officio member from the planning commission which is acknowledged. but 11 of those 15 members must
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be practicing professional artists, four members are at large. now, acknowledgin acknowledgingt 15 art professionals was required speaks to the fact at the time when there was no arts commission and a time where there was very little organization in that regard, and probably very important to have professional artists help to characterize, organize, set policy for this program. and, today, we believe that's still true, that it's important to have professional artist overseeing the development of the programs, o that the arts commission plays and providing leadership to that community. but we really believe, based upon our experience in watching the problems the arts commission has faced and the way it deals with those problems that it is
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insufficient to really manage the the arts community in 80 years later. lots of things have changed, and lots of art design program goes along with that, and lots of needs of the arts commission left abated because of the makeup of the arts commission, due to the 32 charter. basically, the duties of the arts commission are pretty self-evident. there's providing the leadership that is necessary for the arts commission to carry out its assignments. they encourage art awareness in the community. they encourage community participation. and they encourage the expression of art. they help local art groups. and they help with government
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funding. that's a source i'd like to get back to later because i think it's a self-diluted position that they cannot try to find funding for their needs outside of government sources. the library does it, rec and park does it. it's an issue that is done very successfully by other organizations in government and it's something that i think holds back the growth and development of the programs in the community, and something that really needs to be attended to. more about that later. specifically, they have -- the arts commission have some very important rules and responsibilities. amongst them are approving the design of all public buildings, approving the purchase or acceptance of all new city art, accepting the responsibility for maintaining and keeping an inventory of all of the art that
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the city owns, and promoting neighborhood arts in the various communities. and i'm sure the board of supervisors is somewhat familiar with the arts commission, since it apropose operates funds for the arts commission to function. our report found significant problems with the arts commission meeting its charter responsibilities. as i said, the 1932 charter probably worked well in terms of the makeup of the arts commission. it doesn't do so now. we talked a little bit about the changes that have taken place over the last 80 years, and i think the board of supervisors should also take a moment to reflect on the significant changes that have happened even during your terms of office which make you think twice about how you respond to problems.
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community priorities change over time. the arts commission needs to be particularly sensitive to the public and its needs. and what we find is, the way the arts commission carries out its role and responsibilities, it focuses on the arts organizations that deal with the programs, and we believe, at the expense of dealing with community priorities and interest, and it needs to have amongst its members a larger group to participate, in understanding and carrying out its role with the community, with the people that are actually paying for this, with the people that are actually set the arts commission into being. and we think that that's an issue that needs to be addressed more aggressively by the commission.

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